Critical Responses & Other Commentary
- Introduction to Carla Harrymans Various Devices by Vladimir Feshchenko 
- “How I Now Remember Then,” Steve Benson, Small Press Traffic, 2023. 
- Review on Cloud Cantata, Tyrone Williams, Restless Messengers: Poetry In Review, 2023. 
- “When Poems Change,” Piotr Gwiazda, Jacket2. February 19, 2018. 
- “Review of Carla Harryman’s Adorno’s Noise.” Kit Robinson, Rain Taxi. 2013. 
- “Poetry as Virtual Community,” Luke Harley, review in Jacket2, February 7, 2013. 
- Review of Open Box, Eyal Hareuveni, All About Jazz, January 2, 2013. 
- “Outsound Music Summit: Sonic Poetry,” Catsynth, July 21, 2012. 
- “Language As an Open Box,” Memory Select: Journeys in Creative Music, July 15, 2012. 
- “The Wide Road by Carla Harryman & Lyn Hejinian.” Sarah Rouch, Lambda Literary. September 2011. 
- “My Sister/Mysteries, Exegetes’ Delight,” Maria Damon, Belladonna Press. 2011. 
- “Reading Carla Harryman,” feature issue, How2 Journal, ASU. Volume 3, Number 3. 2010. 
- “Adorno’s Noise. Carla Harryman, Review.” Jonathan Wegner, Make Literary Magazine. February 2009. 
- “Adorno’s Noise. Carla Harryman, Review.” Pat Clifford, Kaurab Online. 2008. 
- “Matches, in Our Time.” Patrick F. Durgin, School of Art Institute of Chicago. 2008. 
- Review of Open Box, Tyrone Williams, Galatea Resurrects #10. July 20, 2008. 
- “The Necessary Experience of Error.” Carla Billitteri. How2 Journal. 2006. 
- “Degrees of Liveness, Live and Electronic Subjects: Leslie Scalapino, Fiona Templeton and Carla Harryman.” Redell Olsen, How2 Journal, ASU. Volume 1, Number 6, Fall 2001. 
- “GARDENER OF STARS: A Novel” review by Publisher’s Weekly, December 17, 2001. 
- “Review of Memory Play,” Barbara Henning, Poetry Project Newsletter, April/May 1995. 
- “Literature of Linguistic Rebellion,” Marjorie Welish, San Francisco Chronicle, c. 1990.